Jeanne Baxtresser    
Publications

Publications Orchestral Excerpts
for Flute
Flower Duet
from Lakmé


Great Flute Duos from the Orchestral Repertoire
$48   Order Now
Great Flute Duos
from the Orchestral Repertoire

Excerpts for Principal, Second, and Alto Flute Auditions
Compiled and Annotated by Jeanne Baxtresser

Second Flute commentaries by Renée Siebert, Second Flute, New York Philharmonic
 & 
Alto Flute commentaries by David Cramer, Associate Principal Flute, Philadelphia Orchestra.

  • Complete first flute book, with Baxtresser’s guidance throughout.
  • Pull-out second flute book, with Siebert’s annotations and “Thoughts on Playing the Job and Taking Auditions”.
  • Separate pull-out alto flute book, with Cramer’s details on performance and on why studying the alto flute repertoire is essential to auditioning and playing in the orchestral setting.
  • Includes reproductions of orchestral parts, as most commonly used today, with print style, breaks, and page turns true to the originals.

Published by Theodore Presser Company
  588 No. Gulph Road, King of Prussia, PA
  610-527-4242   presser@presser.com



Press
Release
Reviews &
Comments
Table of
Contents


The Moldau, from Great Flute Duos from the Orchestral Repertoire
 
Press Release

The Theodore Presser Company announces the publication of Great Flute Duos of the Orchestral Repertoire, compiled and edited by Jeanne Baxtresser, former principal flutist of the New York Philharmonic. Renée Siebert, Second Flute, New York Philharmonic, lends her wisdom and experience to the second flute parts, published in a separate pull-out book. A second pull-out book in the volume includes rarely reprinted alto flute parts with advice on performance by David Cramer, Associate Principal Flute, Philadelphia Orchestra.

The book is the fourth volume of Presser’s new series of Orchestral Excerpts. Ms. Baxtresser’s first book in the series, Orchestral Excerpts for Flute, has quickly become a vital part of flute pedagogy.

Ms. Baxtresser has chosen the most-requested audition pieces, and many of the most beautiful duets in the orchestral repertoire for Great Flute Duos. All flute parts are printed exactly as they appear in the most often used editions, retaining the original page breaks and turns to replicate the audition experience. Each excerpt is presented along with Ms. Baxtresser’s commentary and advice on preparation and performance.

Great Flute Duos is designed as a virtual audition manual for aspiring orchestral flutists. Special focus is given to the qualities of musical leadership needed in a principal flutist, the complex challenges of a second flute position and valuable suggestions for the performance of the major alto flute solos.

 
Comments

What some of the world’s foremost conductors say about Great Flute Duos:

I was deeply impressed by your new book ‘Great Flute Duos’ from the Orchestral Repertoire which you have prepared so carefully together with Renee Siebert and David Cramer. Your advice is not only a mirror of your great experiences but much more proof of your high artistic imagination and I find the selected repertory outstandingly helpful for young players.

On behalf of all young upcoming flute players I would like to thank you for helping build up a generation of flutists with high knowledge and understanding.
Kurt Masur
Former Music Director, New York Philharmonic
Former Kapellmeister, Leipzig Gewandhaus Orchestra
Music Director of the Orchestre National de France


Jeannie and Renee were my flute section during part of my tenure with the New York Philharmonic. I know they achieved the highest standards, professionally and personally, in their collaboration with each other. In this book, they share their knowledge . . . it is an essential resource for any flutist who aspires to play in an orchestra.
Zubin Mehta
Former Music Director, New York Philharmonic
Music Director, Israel Philharmonic Orchestra
Music Director, Bavarian State Opera in Munich


The ideas and suggestions found in this book are the very things I look for in any flute audition as well as from the podium . . . an invaluable guide for orchestral flutists and those aspiring to be there
Andre Previn
Music Director, Oslo Philharmonic
Frequent Guest Conductor, New York Philharmonic


Praise for Great Flute Duos from some of the world’s finest orchestral flutists, leading educators and publications:

For years I have kept individual parts for prominent orchestral flute duos specifically in order to play along with students who were preparing for second flute auditions. In addition, I coach these students on the fine points of ensemble with one another and the rest of the orchestra. So it was a delightful surprise to receive this wonderful book which finally addresses the fact that not every good flutist spends their entire career occupying a principal chair, and that there is joy, pride and appreciation to be found in the role of a section wind player.
Martha Aarons
Second Flutist, The Cleveland Orchestra


Finally! A beautifully organized and comprehensive collection of orchestral duos and alto flute excerpts that all flutists will benefit from. I wish I’d had this book as a student, but now I’m thrilled to be able to use it in my own teaching studio. The personal comments and tips from Ms. Baxtresser and her two colleagues make this a truly unique and inspirational collection.
Jennifer Conner
Second Flutist, Pittsburgh Symphony Orchestra


Yet another terrific addition to the flutist’s audition repertoire. The commentaries and suggestions by Baxtresser, Siebert and Cramer are as valuable as the music itself.
Jeffrey Khaner
Principal Flutist, The Philadelphia Orchestra


This book is a very useful tool for any aspiring orchestral flutist
Robert Langevin
Principal Flutist, New York Philharmonic


The Baxtresser/Siebert/Cramer compilation of orchestral duos is a great addition to Theodore Presser Company’s roster of meticulous, comprehensive excerpt books. It will surely become a primary resource for flutists wishing to deepen their knowledge of the basic orchestral flute repertoire.
Michael Parloff
Principal Flutist, The Metropolitan Opera Orchestra


Thank you for sending your latest fantastic contribution to flutists. Along with your earlier book, ‘Great Flute Duos’ will become required material for my students at Indiana University, especially in my orchestral excerpt class.
Thomas Robertello
Professor of Flute, Indiana University Former Associate Principal Flute, Pittsburgh Symphony Orchestra


This is a splendid sequel to ’Orchestral Excerpts for Flute’, and will be just as indispensable to anyone who is serious about flute auditions. Since much of the material has been available only in microscopic miniature scores, it is a great convenience to have the original parts clearly reproduced and the supplementary information is invaluable, as always.
Fenwick Smith
Second Flutist, Boston Symphony Orchestra


The Duos book is, as the title says, GREAT! My students have been entranced with this book; studying the repertoire, and their intonation and ensemble skills all in one, while playing the music they aspire to perform. This book is simply a must-have, fabulous resource . . . we are praying for volume II!
Alexa Still

A Reviewers Choice - All prospective orchestral flutists and serious students should own this outstanding compilation.
Flute Talk Magazine

 
Contents
 
J.S. Bach
    St. Matthews Passion
    Magnificat
    B minor Mass
    Cantata No. 208


Bela Bartok
    Concerto for Orchestra

Hector Berlioz
    L’Enfance du Christ

Georges Bizet
    Danse Bohème from Carmen
    L’arlésienne Suite No. 1


Johannes Brahms
    Symphony # 1
    Symphony # 2
    Haydn Variations


Benjamin Britten
    Young Persons Guide to the Orchestra
  Claude Debussy
    L’Après midi d’un Faune

Antonin Dvorak
    New World Symphony

Gustav Holst
    Planets

Felix Mendelssohn
Nocturne from Midsummer Nights Dream
Italian


Sergei Prokofiev
    Classical Symphony

Maurice Ravel
    Daphnis and Chloe
    Alborada del Gracioso
    Mother Goose Suite
    Tombeau de Couperin


...and more!


Publications Homepage

Updated 11/20/2006 by Stephen Linhart     Copyright Linhart, Baxtresser